You can choose a normal bedroom, a one-bedroom suite, a two-bedroom suite with a hillside view or a city view. She has grown older and wiser (those curious little gems of insight, like: "I used to go to parties and spend the whole evening feeling either hurt or rude, because either I'd walked away from someone too soon, or they'd walked away from me") but without letting seriousness come breaking in. The only thing that might slow her down is the baby - an ambiguous acquisition for a woman whose alter ego used to grind her teeth while smug couples talked about her biological clock.How was she enjoying pregnancy? "I think Bridget would have found it quite funny," she said, "like the way you lose your centre of gravity If I lean over, I'll just keep going If I bend down, I can't get up again. 'They're small, they're shiny and they're all over your house - batteries!'."Okay, so Fielding does not sound like a newly-serious person.
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Her career began in TV with Play School and John Craven's Newsround, and there is something of the breathless little girl about her still, in her receptivity to the weirdness of life, her enjoyment of the success carousel, the filter of comedy through which she views everything. But I think they all go home and drink secretly and then have to go off to rehab."She likes the way everyone is in a job-slash-different-job: an actress-slash-waitress-slash-lifestyle guru, for instance. "And I particularly like the television because they don't do the news like we do Everything has to be a riddle 'It's wet, it's see-through and without it we'd die.. Water!' It's all like that. You feel that half the reason she stays in LA is to make notes on its excesses. Like talking to a chap at a party and discovering that he was "Edward's sober friend" - that is, Edward is in a 12-step programme and needs someone to go to parties with him to curb his thirst for alcohol "There's a big industry in sobriety," Fielding said "People in LA don't drink at parties. She met ex-spies and soldiers, former SAS men, bomb-disposal experts.
"I had a thrilling time with one chap who said he wasn't a spy, but he just knew about them. Halfway through the conversation, he changed from talking about 'them' to talking about 'us'. When I was talking to the SAS men, I thought, 'My God, you really do what we see actors doing on television...'." She also, typically, bought some books about how to write a thriller. "One told me useful things like, 'Use the weather to create emotion.' So there's a chapter in Miami, which is very windy I wrote, 'Olivia felt very unsettled.
